re-photographing

The wet,  cold  stormy weather has passed. It is still cold in the morning (I wore gloves on the 7am poodle walk  this morning),   but the wind has dropped, the sun has returned and the sky is blue.  I've picked up my cameras again,  and I've started thinking about photography.  -

I picked up the Sinar F2 5x4 yesterday, got  my pack out, and loaded the battery into the light meter  only to put it down again as I didn't have anything in mind to photograph.    However, I used the digital on yesterday's  evening  poodle walk.  The picture below  is a scoping  study that I made on this morning's poodle walk  along  Baum Rd in Waitpinga using my Sony  (APS-C)  digital camera:

I have photographed this tree before--probably a couple of  years  ago.  It was 5x4 film and I  choose an overcast day with light rain to obtain the dull, gloomy look. I  wasn't all that  happy with what I did in colour.

The Mallee project

The  Mallee group of photographers meet for lunch today at the Ramsgate Hotel in Henley Beach, Adelaide   to discuss the exhibition schedules of their lens-based photography work about the Mallee.  The Mallee photography group is small --it consists of Eric Algra, Gilbert Roe and myself--- and it recently came  together through our mutual interest in exploring the Mallee photographically.   

None of us live in the Mallee, but  each of us has developed a broad photographic  interest in exploring  the South Australian  and  the Victorian  Mallee.  For some  of us, especially Eric,  this interest  goes back several years. What is interesting is that we  approach the Mallee from diverse perspectives.  

What we  decided  over a convivial  pub lunch on a windy winter's day was to come together to put on a series of group exhibitions over a period of years as we gradually built up a body of work about this region of southern Australia.  We decided to exhibit  on a small scale in  Adelaide in late 2016, then produce more work for the Ballarat International Foto Biennale in 2017, then doing extra work to exhibit in some regional towns in the Mallee--eg., in Mildura or Murray Bridge.   This  photography gallery in Mildura was mentioned, for instance, as was this one in Murray Bridge and this one in Horsham.   

scoping for 5x4 black and white

On the last couple of coastal poodle walks I've started scoping subject matter  for the 5x4 Sinar F2 and black and white film.  I haven't been using this monorail much since I decided to use it for black and white photography.  

I took the Sinar  with me on the  recent photo trip  to the Mallee Highway,  and  I did find some suitable subject matter. However,  the weather was too bright and sunny on the last day for the planned  photoshoot at Torrita. 

This is one possibility along the coast that I  did come across:  

This location is fairly easy to access with a monorail--it's a short walk along the coastal path to the rocks.  I just need an overcast day for the photoshoot with no rain.   

at Wallaroo

I spent several days camping at Wallaroo on the Yorke Peninsula with Gilbert Roe, a fellow photographer based in Adelaide. We spent the time  exploring the region with our cameras:  Gilbert was using his pinhole camera and I was working with  my  large format cameras. I concentrated on the silos.

 This is one image that I made in the late afternoon with both the  Cambo 8x10 (using black and white film) and the  Cambo 5x7 (using colour film):  

It  was a trial run for me in terms of  camping whilst  being on the road with  the large format equipment. Renting a house,  staying in a cheap motel, or a cabin in a caravan park,  is too expensive these days. Camping was a  trial run because our camping gear is very old and basic,  and I haven't been camping for 20 years or more. So I needed  to see whether this mode of accommodation would work for me as a way of doing the photography road trips. 

agricultural landscapes

This was made on a recent  early morning poodle walk   with Ari and Kayla  just before Easter.  We were walking  on a  back country road in Waitpinga. It's all agricultural landscapes around this part of Waitpinga,  with some  roadside vegetation and a  rows  of eucalypts--mostly pink gums--between the various fenced paddocks. Though this is land seen in terms of  property and its usefulness, you only occasionally  see human beings working the land.  

The sun burst through the cloud cover for a minute or so whilst we walking along a roadway.   I didn't make it to the spot  that I was aiming for (the two trees over the page).   I had no time to set up the Linhof Technika 70 on a tripod,   which was what I'd been hoping to do. It was either this  handheld photo  at this spot  with the  Sony-NEX-7 digital camera,  or nothing. 

Richmond, Melbourne

When I was in Melbourne recently, I continued my  photographic exploration of  the Southern Cross Railway Station and the inner suburb of Richmond.  I hung around  in the former and I continued with my walking the latter. 

I had  briefly visited Victoria Street, Richmond,   with Stuart Murdoch after  our  Kodak shoot for a quick meal at the no frills Thy Thy restaurant. Whilst walking to the restaurant  I noticed that the Victoria Street  part of Richmond had radically changed from the one that I knew when when I lived in Melbourne in the late 1970s. I was working as a conductor on the trams and studying at Photographic Studies College. 

There were no Vietnamese restaurants anywhere in Victoria Street, Richmond.  The notable ethnicities  were Turks and Greeks.  Then Richmond was  identified as Struggletown. It was a working class suburb with cottages, pubs and factories. Richmond, by all accounts,   had started to become a little Saigon in the 1980s.

 Richmond  today is in the process of gentrification,  as a result of the exodus of manufacturing to the outer suburbs thereby making the inner city a much more pleasant place to live. Victoria  St is still  a gritty street,  and it has a vibrancy that Adelaide lacks,  and  what inner city Adelaideans long for and Sydneysiders now miss.   The Gouger Street precinct near the Adelaide Central Market doesn't really cut it. 

I  only had time for a couple of quick, hand held  snaps at dusk with the digital camera before the evening meal.  When walking back to the car after the meal I decided to return to Richmond  the next day  and  walk  Victoria St. I wanted to see if it was a food strip or more akin to an urban village. 

photographing in the Otways

On our way back  to Adelaide from Melbourne we stayed a couple of days  near Johanna Beach, which is  close to the Great Otway National Park.  This stay had been planned  by Suzanne a couple of months ago. 

I had tentatively  planned to add onto this  stay some photography of  the effects of the bush fire at Separation Creek   and Wye River along the Great Ocean Road.  However, the  length of time it took to travel the distance to these localities and coastal towns was too great to photograph in the early morning light or at twilight.   

So I took the opportunity of the stay to go photographing in the rainforest  of the Otway Ranges. This is a scoping image made with my  digital camera--the Sony NEX-7 whilst  taking a walk along the Old Ocean Road:

I was exploring the rainforest outside the national park--the Otway Forest along the Old Ocean Road from memory. I used my baby Linhof---the  Linhof Technika 70---with  its 2 6x9  Linhof film backs: one was loaded with  colour film (Kodak Portra 160)  the other was loaded with black and white film (Ilford PanF Plus).  Alas,  I  had inadvertently loaded the colour film the wrong way.  So I've only  got the black and white  film negatives.  

on the road to Melbourne

I've just returned from the  Melbourne trip via the Great Ocean Road and several days in the Otway's and in  the Coorong. 

On the way over to Melbourne we stayed overnight at a dog friendly place called Old Dadswell Town on the Western Highway. It  is between Horsham and Stawell.  I was carrying the 5x7 Cambo monorail  to begin to photograph  the silos along the Wimmera section of the Western Highway,  as I was hoping for some overcast skies. It was not to be.  The weather  was bright, sunny and hot.  I made no photos of  the silos.

I did manage to take some snapshots at Old Dadswell Town in the late afternoon as a form of consolation:

Old Dadswell Town  is a quirky place  full of collected junk,  and it refers back to the Australia of the 1950s, the Mad Max movies and the tourist pioneer theme towns. We had the place to ourselves on this occasion. 

Australia Day weekend photoshoot

This behind the camera picture  was taken whilst  I was on  an early morning photoshoot along the Heysen Trail,  with my Linhof Technika 5x4 during the Australia Day weekend. The Heysen Trail photoshoot  was combined with a poodle walk.

I have avoided the beaches this weekend due to  the families  having summer fun on, and taking over,   the beaches The summer fun  also includes  playing on the rocks around Petrel Cove or climbing  Rosetta Head in thongs.  As expected there were more casualties  at Petrel Cove. It is obvious that people do not read the warning signs by the steps  to the beach or on the rocks; or if they do read them, then they ignore them.    

On the morning of the photoshoot the light was dull and flat.   I would have preferred  the soft, early morning light, which was there  when I had previously  scoped the  site,  but it was not to be.  I waited for a while to see what was happening with the cloud cover,   but I realised that  there was little point in hanging around waiting for better light to eventuate. The  cloud cover was  far too heavy.   

Fleurieuscapes: the exhibition

The  Fleurieuscapes exhibition at Magpie Springs in South Australia's Fleurieu Peninsula has been hung,  and everything is ready for the 2pm opening on Sunday afternoon, the 17th of January.  The theme is people, space and place and this is the first part of the project. Rage second part is more historical in  orientation and the palette is darker.  

The exhibition  has been expanded from the Red Room, the main gallery  room,  to two rooms;  and it now consists of 22 images instead of the initial 16. The  images were made with medium and  large format  cameras,  and there is  a mixture of colour images and black and white ones, with the colours one predominant.