Encounter Studio: experiments + journeys

brief notes on experimental photographic journeys

Posts for Tag: MA

an old MA revisited

Art photography is often about  journeys along winding tracks and trails, some of which lead to no where.     

Sometimes these  journeys are  in the form of working on projects over a long period of time. Eventually an archive of photos builds up and we start to wonder what can we  do with these  photos over and above showing them in the the odd physical exhibition that is quickly forgotten and only exists on a CV.    Often  these projects are then put to one side, we forget about them, and we move onto new projects.

A classic example of this is my old MA (photos and dissertation) at Flinders University in South Australia in the late 1980s.

 The general idea  of the MA  was to explore  Romanticism's critical response to  industrial capitalism  and then to map this onto Australian modernity.  I worked on it for 2 years,   then had to put it aside (ie., dumped it) when I upgraded to do a PhD in continental philosophy at Flinders.  I  forgot about the MA and the photography  whilst working on the PhD in the 1990s  and when  I moved into the paid workforce in Canberra.  When I picked up photography again  in the first  decade of 21st century I would  sometimes take photos that were within the boundaries of the industrial MA project,  but I never thought about it as a project. 

The MA was something best forgotten. I'd failed. I was embarrassed by the failure.  I realized that  it had became normal  for  people to do MFA's,  complete them, and then  teach/lecture/research photography in a university,  such as RMIT. My old b+w photos just reminded me of my shame over my failure. I was now happy just making new photos like most other photographers.   

One day, when I was bored,  I started going through my old black and white archives.  I saw a body of work sitting there, asked a few friends  to look at it, and then  to help me quickly draft up a dummy photobook. I  showed the dummy  to a few people, then put it into the background. The dummy photobook was a bunch of photos of Bowden. However, that didn't really make sense of the old MA, since the text was missing, and it was the text that I had struggled with so long ago.