Thoughtfactory: pictures experiments journeys

brief working notes on various photographic projects

Posts for Tag: Sony a7 R111

light #6

The image below is a continuation of the little experiment that I'd started  a couple of years ago to try and photograph light itself. Light is the subject. 

This  is late afternoon light in the Redwoods near Beech Forest in the Otways in Victoria in March 2024.   I was concerned with the  intensity of the light. 

I  experimented whilst walking amongst the Californian Redwoods that afternoon, but  I wasn't really happy with  the results of light falling on the trunks of the Redwoods.   I needed to de-literalized’ the images much more. 

seascape #4: fog

I've started experimenting  with digital black and white whilst making some seascapse with the 5x4 Linof Technika IV  and colour sheet film. The weather condition chosen   was the mist and fog hanging around Encounter Bay on the southern Fleurieu Peninsula over the Xmas/New Year period (2023-24).  

I've never had much success with digital black and white conversions from a colour digital file using the Sony A7 R111--- the results have always been disappointing, as  the images have  looked bland and muddy.   The recent seascapes and fog offered me an opportunity  to experiment to see if I could create something better.   The above 'behind the camera' image is an example  of  this experiment.  

returning to Copeville

Now that Suzanne's broken fibula is healing and she is able to walk one of standard poodles I am able to start to plan a photo trip to the Murray Mallee in South Australia. I will take Maleko with me. 

I plan to pick up where I left off prior to  the Covid pandemic, which was  in 2019. This was the Claypans  and the nearby  Copeville and Galga area  that were on the old  Waikerie railway line, which was a branch line from Karoonda. The railway  was constructed around 1914  and was closed in the 1990s.  

I will start by returning to this  site and this photo:

It will be a large format photo trip and my initial camp will be in the quarry near Copeville,  as it was on the previous trip.  Things have changed in the meantime.  The Copeville silo was painted  by Jarrod Loxton in 2022 as part of the South Australia silo art trail. 

seascape #3

The picture below  (from early January 2023) comes from  my decision to explore and  experiment with  a  different approach to the seascape project that I have been engaged in over the last year. I am finding it an intriguing project. 

The exploration involved searching for   different locations from the Rosetta Head one  that I had previously been using. What I was looking for was  a site   that  would enable me to get closer to the sea , as well as  provide protection from  any surging rogue waves. I was wary as I'd been previously caught with expensive consequences for the photography gear. 

Spring Mount Conservation Park: on location

Last Sunday (26th March) was  overcast and raining.  These are  good conditions  for  returning to the  Spring Mount Conservation Park in the southern part of the Fleurieu Peninsula of South Australia to make some large format photographs of the bushland.  I did return,  and my objective  was to  photograph the bushland in  black and white. I have learned that monochrome works better representing  this old growth stringy bark  bushland  than colour film.   

The photo making  needed to be after  the rain  had eased and before the cloud cover cleared and the sun came out.  The location chosen was along Strangeways Rd,  which I had identified  the day before whilst I was on an afternoon poodlewalk with Maleko.  There was no low cloud or mist between the trees that morning  but it was gloomy -- suitably so  - and, luckily,  there was little wind.   

I had about  45 minutes to an  hour in the  mid-morning  to use the 5x4 Sinar F1 view camera.   I was able to make 2 exposures before the sun came out and changed the atmosphere. 

Like the Gitzo tripod I was using,  the entry level, Sinar is around 50 years old,  as it was probably made sometime in the 1970s. It is  a lightweight, modular, view camera and very  easy to use in the field;    or  either  the right angle viewer  or the   binocular reflex magnifier on the back  of the camera.  I don't have either of the latter.  I just use a simple dark cloth, which is a hassle to use when the wind is blowing. I didn't have time to put  the Sinar pan tilt/head on the tripod. 

light #5

Continuing the light series/project.  This  is  Light #3 for contrast. 

The photo was made on a  spring morning in October 2022 looking across Encounter Bay from Rosetta Head at Victor Harbor.  

There was heavy seafog that morning. These are infrequent as they only happen a couple of times during the year. 

light #4

The fourth in the  series of photographing light per se which broadens the terrain beyond photojournalism, documentary and landscape. 

This is looking east over Encounter Bay from the shoreline of a small beach in front of Whalers resort complex. 

light #3

Another image  in the  series of photographing light per se which broadens the terrain beyond photojournalism and documentary:

This is looking east over Encounter Bay from Rosetta Head.

light #2

This is my second attempt in my little project of photographing light per se:

On this occasion I endeavoured to  simplifiy things down to the bare minimum.  I'm  at the western edge of Encounter Bay on Jetty Rd that runs alongside  Rosetta Head in the early morning. I'm precariously balanced on  some rocks at the very edge of the sea. It is early in the morning just after sunrise. The advantage of digital is its flexibility as working with a tripod and film would be much more difficult. 


I have started to  explore the possibilities of seascapes  this last month or so using  large format cameras -- namely, 4x5 and 5x7-- and photographng in colour.   

The location from which I work  is Rosetta Head (the Bluff) and the subject is Encounter Bay in the early morning around sunrise.   I park  the Forester  in the top car park over looking Petrel Cove then walk around the northern side of the Bluff and then up the eastern face carrying the camera gear. The 5x4 and carbon tripod are no problem as they fit into a pack, but I struggle with the 5x7 Cambo and the Gitzo tripod. 

It is a slow process as it is  a hit and miss situation. I do not really know what the clouds,  light and atmosphere will be like  until I get there. All I know is that there are clouds over the sea and the  direction of the wind.