I have an ongoing photographic interest in edgelands. Edgelands are usually understood as the banal hinterlands that exists between urban and rural environments, and they disrupt and challenge the common notion of beauty in the landscape.
The picture below is a recent (2024) attempt at an interpretation of edgelands in Waitpinga. This earlier attempt (in 2022) was centred around the early morning light and it adopts a pictureesque approach. The more recent interpretation below is bleaker.
The more recent interpretation builds on earlier work here (in 2020) and here (in 2019). It is the bleak interpretation that is more fitting to this particular edgeland, rather than the earlier picturesque approach. It fits with the aesthetic experience of being in (walking in) a degraded landscape.They are very modest compared to the work of Naoya Hatekeyama.