The picture below is a second example of using expired Fuji Velvia 50 with a Zeiss-Ikon Contaflex Super SLR and a Zeiss Pro-Tessar 35mm f3.2 lens. The film was processed in E-6 chemistry at an Adelaide lab, then scanned by me using an Epson V850 Pro flatbed scanner with Silverfast software. The digital file was post-processed in Adobe's Lightroom This analogue/digital combination makes it a hybrid.
(Pitkin Rd, Waitpinga, 2024)
The picture was made in the late afternoon during the winter months whilst on a poodlewalk with Maleko and it is a part of the low key Roadside project, which is a work-in-process. Pitkin Rd is a no through local road in Waitpinga, in the souther Fleurieu Peninsula of South Australia and it leads to several small hobby (life style) farms.
This is definitely old school film photography. I have to really think about making the photo with Velvia 50: --- is the subject suitable (avoid lots of shade); is there enough light; will a shallow depth of field work here; what are the colours (Velvia 50 favours reds and yellows); do I want to add warmth to the image; will the deep saturation and vibrancy be suitable and so on. Those kind of considerations slows you down.We are in the dusk of analogue photography. The last of the expired Velvia 50 roll of 36 is in the quirky Contaflex but I have continued the experiment with a roll of 120 Velvia 50 in a Rolleiflex SL66 film back. There is no Velvia 50 in any format available in Adelaide, nor will there be as it appears that Fuji has either discontinued producing Velvia 50, or is making it available in Japan only from old film stock.
Whilst Fuji is walking away from manufacturing its film stocks --- they are currently repackaging Kodak colour film (Gold and Ultramax) into Fuji packaging in China -- new film stocks (eg., HARMAN Phoenix 200) are starting to emerge.