The photo below is another one from my little experiment in nostalgic pleasures: ie., using expired 35mm Fuji Velvia 50 film exposed at 20 ASA, handholding a reconditioned 1960s Zeiss-Ikon Contaflex Super SLR with its inbuilt light meter, a 35mm f.3.2 Zeiss Pro-Tessar lens, and having the film processed with E-6 chemistry in Adelaide.
Nostalgic pleasure in this case is pre-digital analogue technology that was disrupted by digital technology in the early 21st century. The digital camera industry collapsed between 2010-2012 due to the emergence of the smartphone killing off the entry-level camera market ( point-and-shoot cameras) which shrunk nearly to nonexistence.
The photo is a cloud study at Waitpinga in the late afternoon during the winter months:
On this occasion I continued making several cloud studies as the storm clouds rolled in from the south-west, the light was fading and dusk was falling. The photos that work the best are those with colour whilst the starker light/black ones made as the light faded were flat and dull. That minor experiment highlights how Velvia 50 needs vivid colour (color saturation and vibrancy) for it to come into its own.
I am finding
Velvia 50 a tricky film to use. It's not good in low light, often has unnatural colours, and it does not have the dynamic range of my digital Sony A7 R111. There is also not much leeway in bringing up detail in the blacks with post-processing in contrasty light. On the other hand, though Velvia 50 is less technically perfect than digital, it has deep contrast and it can bring a photo to life that would be flat or ho hum in digital.
It's ironic. I am learning the best situations when to use
Fuji Velvia 50 film (I'll try flat light next) at a time when
B+ H advises that it is temporarily out of stock, back orders have been suspended, and Fuji can no longer provide an accurate time frame for its availability. Apparently Fujifilm has largely been focusing its analog production efforts on Instax as this instant film is very popular.
Velvia 50 was discontinued in large format in 202 for 8x10 and 2023 for 5x4. It now looks like it may be going to be discontinued in 135/120 formats very soon ---just like
Fuji Astia 100F has been.