coastal granite

Thanks to Madeline taking Ari for a walk this afternoon  I was able to walk along the foreshore rocks with Kayla and Maleko this Sunday.

There were  heaps of people  walking along the cliff top path, which is part of the Heysen Trail,  in the afternoon sunshine--with children, in groups, with their dogs.  They were still walking at 5pm. 

I suddenly realised that it was a long weekend--Queens birthday weekend.  People had come down the southern Fleurieu Peninsula coast for the weekend.   

re-photographing

The wet,  cold  stormy weather has passed. It is still cold in the morning (I wore gloves on the 7am poodle walk  this morning),   but the wind has dropped, the sun has returned and the sky is blue.  I've picked up my cameras again,  and I've started thinking about photography.  -

I picked up the Sinar F2 5x4 yesterday, got  my pack out, and loaded the battery into the light meter  only to put it down again as I didn't have anything in mind to photograph.    However, I used the digital on yesterday's  evening  poodle walk.  The picture below  is a scoping  study that I made on this morning's poodle walk  along  Baum Rd in Waitpinga using my Sony  (APS-C)  digital camera:

I have photographed this tree before--probably a couple of  years  ago.  It was 5x4 film and I  choose an overcast day with light rain to obtain the dull, gloomy look. I  wasn't all that  happy with what I did in colour.

The Mallee project

The  Mallee group of photographers meet for lunch today at the Ramsgate Hotel in Henley Beach, Adelaide   to discuss the exhibition schedules of their lens-based photography work about the Mallee.  The Mallee photography group is small --it consists of Eric Algra, Gilbert Roe and myself--- and it recently came  together through our mutual interest in exploring the Mallee photographically.   

None of us live in the Mallee, but  each of us has developed a broad photographic  interest in exploring  the South Australian  and  the Victorian  Mallee.  For some  of us, especially Eric,  this interest  goes back several years. What is interesting is that we  approach the Mallee from diverse perspectives.  

What we  decided  over a convivial  pub lunch on a windy winter's day was to come together to put on a series of group exhibitions over a period of years as we gradually built up a body of work about this region of southern Australia.  We decided to exhibit  on a small scale in  Adelaide in late 2016, then produce more work for the Ballarat International Foto Biennale in 2017, then doing extra work to exhibit in some regional towns in the Mallee--eg., in Mildura or Murray Bridge.   This  photography gallery in Mildura was mentioned, for instance, as was this one in Murray Bridge and this one in Horsham.   

in the Victorian Mallee

I spent 4 days camped at  the Ouyen caravan park with Gilbert Roe  so that I could photograph some of the  grain silos in and around Ouyen  on the Mallee Highway with my large format cameras.   I managed to photography 5 silos--those from Ouyen to Linga--using a 5x7 monorail (for colour)  and an 8x10 monorail (for black and white).   

The next stage in the silo project is to camp at Murrayville so that I can  photograph the silos in and around that hamlet. I prefer overcast conditions  for this kind of photograph the silos, which makes life difficult,  as such  days are few and far between in the Mallee.  It's normally bright, sunny and cloudless. 

I also took the opportunity to start to explore  with my digital camera the countryside of  the Victorian Mallee, which is still economically based around dryland farming and large cereal farms. Even in  late autumn the northern Mallee was dry, hot  and dusty  with dust storms.  The agricultural landscapes  look as if it has extended periods of dryness that cannot simply be put down to intermittent drought. That dryness causes hardship to the local communities, the unravelling of the social  fabric, and the steady decline of the population in the towns and hamlets with their derelict houses and abandoned tennis courts.  

at Salt Creek

I've just returned from  spending  4 days on a photo shoot  in and around Salt Creek near  the Loop Road  in the Coorong  National Park. Some of the photos  made  on the trip were in the National Park itself,  whilst many of the others were made outside it. 

This was a snap made in the early morning light when I was returning to the Subaru after a photoshoot for the second  part of the edgelands  project:  

The colours of the samphire that borders the various clay pans are quite intense at the time of the day. The colours become  bleached  outside of the 'magic hour' in the morning and evening. 

sea fog

The last few days on the southern Fleurieu Peninsula coast have been, warm,  humid and very still with dense sea fog moving across the  coastal landscape in the early morning and evening. 

These are unusual conditions,  and I tried to explore them photographically, but without much success. The seascapes that I did were dull and flat,  whilst the various photos of trees and vegetation in the fog were cliched rather than poetic. 

photographing in the Coorong

We stayed a couple of days at Salt Creek in the Coorong on our way back from Adelaide from Melbourne so that I could pick up the second part of the edgelands project after a hiatus. I had been working on the Australian abstraction and Fleurieuscapes projects and I wanted to concentrate on  the edge lands associated with  the River Murray. I wanted to check out whether the  Coorong offered  any possibilities. 

My starting point was  a  familiar spot that I knew from when I briefly photographed  here several years ago,  and I was quite happy to return there and  begin to photograph in terms of South Australia landscapes. We arrived  at Salt Creek in the late afternoon and  I checked  out the location  for a 5x4 shoot  whilst we were on a poodle walk in the late afternoon light.

I was thinking  of constructing this low lying lying landscape into  horizontal strips of land, sea and sky. The lush afternoon light made  the image  too picturesque, and  it placed too much emphasis on  natural beauty for the edge lands project. When  I photographed the next day with the 5x4 Linhof it was in  flat morning light so that  this landscape  would look more stark and weird.  

photographing in the Otways

On our way back  to Adelaide from Melbourne we stayed a couple of days  near Johanna Beach, which is  close to the Great Otway National Park.  This stay had been planned  by Suzanne a couple of months ago. 

I had tentatively  planned to add onto this  stay some photography of  the effects of the bush fire at Separation Creek   and Wye River along the Great Ocean Road.  However, the  length of time it took to travel the distance to these localities and coastal towns was too great to photograph in the early morning light or at twilight.   

So I took the opportunity of the stay to go photographing in the rainforest  of the Otway Ranges. This is a scoping image made with my  digital camera--the Sony NEX-7 whilst  taking a walk along the Old Ocean Road:

I was exploring the rainforest outside the national park--the Otway Forest along the Old Ocean Road from memory. I used my baby Linhof---the  Linhof Technika 70---with  its 2 6x9  Linhof film backs: one was loaded with  colour film (Kodak Portra 160)  the other was loaded with black and white film (Ilford PanF Plus).  Alas,  I  had inadvertently loaded the colour film the wrong way.  So I've only  got the black and white  film negatives.  

Australia Day weekend photoshoot

This behind the camera picture  was taken whilst  I was on  an early morning photoshoot along the Heysen Trail,  with my Linhof Technika 5x4 during the Australia Day weekend. The Heysen Trail photoshoot  was combined with a poodle walk.

I have avoided the beaches this weekend due to  the families  having summer fun on, and taking over,   the beaches The summer fun  also includes  playing on the rocks around Petrel Cove or climbing  Rosetta Head in thongs.  As expected there were more casualties  at Petrel Cove. It is obvious that people do not read the warning signs by the steps  to the beach or on the rocks; or if they do read them, then they ignore them.    

On the morning of the photoshoot the light was dull and flat.   I would have preferred  the soft, early morning light, which was there  when I had previously  scoped the  site,  but it was not to be.  I waited for a while to see what was happening with the cloud cover,   but I realised that  there was little point in hanging around waiting for better light to eventuate. The  cloud cover was  far too heavy.