Yesterday was my first attempt at aerial photography. Chris Dearden  flew me along the  southern Fleurieu Peninsula coast from the Murray Mouth to Newland Heads then back to Goolwa in  his recreational Sonex aircraft --- a Xenos motor glider. It's a great little fixed wing  aircraft. 

I had to make the photos of the coast through the perspex  canopy at a 45 angle in order to avoid the aircraft's wing. I   used my old  Sony NEX-7 digital camera  with a 35mm Leica M lens. I didn't even bother to use the Rolleiflex TLR medium format film camera that I had with me. it sat behind the seat untouched  for the whole trip.  

A photo of the mouth of the River  Murray, which is where we headed first after leaving Goolwa airport. 

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This was made  on an early morning poodlewalk as Kayla and I  set out for an open air  photoshoot,  then a walk along the rocks along the coast.  It was made in the warm  weather  just before before the cold, windy  wet conditions set in.

People were out and about in the sub tropical weather: surfing, fishing, sun baking, playing. I had some photos of saltt ponds amongst the granite rocks lined up, then the weather changed and everyone disappeared. 

Another behind the camera photo of an early morning still life photoshoot near Petrel Cove: 

This open studio set up had been previously scoped with my digital camera. I scoped a number of different locations  to see which worked the best. I plan to do a 5x4  photoshoot with the baby Sinar F2 late this afternoon if the conditions remain overcast.  

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The November Mallee photocamp was  based at Morgan, which is located  in the corner where the Murray River  turns to flow south. The mallee scrub is being cleared and replaced with  irrigated agriculture. 

 Whilst there I  spent an afternoon photographing along the southern  bank of the River Murray at  Moorook. This hamlet  is between Kingston-on-the Murray  and Loxton on the Sturt Highway, and  so it is a part of the Riverland region in South Australia. 

I had briefly photographed along this stretch in the 1980s  (in  black and white)  and then  around 2004 (in colour). I remembered photographing along this stretch of the  river as I drove past it on my to Loxton to do some research in the Loxton public library. I did some scoping on my return to Morgan from Loxton. 

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It took me three  attempts  over three days to photograph this rock pool at Petrel Cove:

My  historical baby Linhof camera--an old   Linhof Technika 70 --- had a mechanical problem  on the first morning as the locking mechanism wouldn't lock  the downturned folding camera bed so I could not focus;  the second morning it was raining; the third morning things finally came together. 

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 Adobe serves an enormous part of the image-editing market, whether photographers like it or not. They are  an industry leader in graphic design, photo editing and photo management software---the standard in the industry for many people. 

Lightroom,  the photo processing software, has professional-grade editing and organizing tools,  but still maintains its usability. The Creative Cloud of Lightroom version is part of Adobe’s annual subscription-based Photography Plan, which includes  Photoshop CC, so you’re getting two photo-editing applications designed to work alongside each other. 

Adobe's recent upgrade to Lightroom  has seen the emergence of two Lightrooms--Lightroom Classic CC (an updated version of the desktop Lightroom that we know--its Lightroom 7)  and Lightroom CC (an entirely redesigned app designed to work alongside Adobe’s equally new cloud-based storage system)--a cut down version (Lightroom Mobile?),  that is a shift to a more mobile-first workflow which  allows you to manage your photos wherever you are and whatever the device. 

The current subscription model  for Lightroom CC  means that we rent Adobe’s apps rather than buying a licence--permanently renting the tools we  use to create. The shift is from software to rental ware.  I have been using the stand alone Lightroom 5  (desktop) up to now,  but I recently purchased Lightroom 6 (desktop) as part of my film order from B+H.  I realize that I am  essentially getting a two-year-old version, feature wise, as compared to the subscription version.  I appreciate that the differences between the subscription version Lightroom Classic  and and the standalone version of  Lightroom 6 are becoming significant, but I don't really need all the updates or the extraneous options. 

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It is rare for me to convert my digital photos into black and white. I nearly always use medium format film  for my black and white  photography of the details along both the coast and the landscape of the southern Fleurieu Peninsula in South Australia. I avoid the grandiose or the panorama.

However, as  I have no b+w film  at the moment,  and the spare film back for the Rolleiflex SL66 that I used  to use for  my b+w  broke when I was in Queenstown earlier this year and cannot be repaired, I  have done  a quick conversion of  a  digital colour image  into black and white using  Adobe's Lightroom.

I dislike the way that Lightroom converts colour digital files into black and white files.  The  tonal richness disappears and the image becomes rather drab and flat. There is no punch to them.  

So, like many others, I've been  using the Nik Silver Efex Pro 2 plugin software to process my digital black and white images in Lightroom.  I was happy with what I was using,  and I didn't bother  looking for alternative software  because I rarely  converted my digital photos into black and white. Digital black and white photography  didn't really appeal. 

This is  just a small step into the world of digital black and white photography. Though  I  will eventually buy more black and white film  to  use with the  Linhof Technika 70,   the new iMac (currently running the  High Sierra O/S)  is forcing me  to  think in terms of upgrading my  Sony NEX-7 digital camera to a full frame mirrorless one,  and updating my Adobe post processing software.  

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This picture was made as Kayla, Maleko and myself  were returning  from a long  poodlewalk along the coastal rocks to the car parked at Kings Beach Rd in Waitpinga. 

It was a quiet,  peaceful moment: no wind, soft light, gentle seas after the sun had gone behind the hills. 

The times that I have photographed along the coast with my  film cameras have been few and far between.  It's been nearly all digital photography this winter and spring--building up an archive of images  for The Littoral Zone propject. 

This was one  of the few occasions with a medium format camera:

I am running my stock of film stock down before I order any more film from New York.  All my 5x4 colour film has been used. 

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I am back to playing around with  making still life photos in an open air studio situated amongst the coast rocks during our poodlewalks: 

I have several locations along a particular walk,  but this series depends on finding some good, fresh  seaweed  whilst on the walk. It doesn't happen often.