The image below is a continuation of the little experiment that I'd started  a couple of years ago to try and photograph light itself. Light is the subject. 

This  is late afternoon light in the Redwoods near Beech Forest in the Otways in Victoria in March 2024.   I was concerned with the  intensity of the light. 

I  experimented whilst walking amongst the Californian Redwoods that afternoon, but  I wasn't really happy with  the results of light falling on the trunks of the Redwoods.   I needed to de-literalized’ the images much more. 

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Continuing the light series/project.  This  is  Light #3 for contrast. 

The photo was made on a  spring morning in October 2022 looking across Encounter Bay from Rosetta Head at Victor Harbor.  

There was heavy seafog that morning. These are infrequent as they only happen a couple of times during the year. 

The fourth in the  series of photographing light per se which broadens the terrain beyond photojournalism, documentary and landscape. 

This is looking east over Encounter Bay from the shoreline of a small beach in front of Whalers resort complex. 

Another image  in the  series of photographing light per se which broadens the terrain beyond photojournalism and documentary:

This is looking east over Encounter Bay from Rosetta Head.

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This is my second attempt in my little project of photographing light per se:

On this occasion I endeavoured to  simplifiy things down to the bare minimum.  I'm  at the western edge of Encounter Bay on Jetty Rd that runs alongside  Rosetta Head in the early morning. I'm precariously balanced on  some rocks at the very edge of the sea. It is early in the morning just after sunrise. The advantage of digital is its flexibility as working with a tripod and film would be much more difficult. 

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This is my first attempt at photographing light per se that I mention in an earlier post.   I took advantage of the layer of cloud softening the early morning  light.

This  is  looking east across Encounter Bay  from Rosetta Head in Victor Harbor.     I did  try this approach with an old film camera -- eg., a   Rolleiflex TLR (colour negative) to see what happens but the film is still unprocessed.   

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