two studies

I have been struggling with a bursitis shoulder over the Xmas break  and, as a result,  the photography  has been minimal. It has been limited to what I could do on the morning and evening poodlewalks along the coast. I avoided walking in the bush due to the brown snakes. As I could only carry and use light weight  cameras, the  photography has consisted mostly  of macro with  some  scoping for large format photosessions in the future.  

This macro of quartz on the side of a granite outcrop, which  was made  with my  old  Sony NEX-7, an old Lecia Summicron 35mm lens and  a  Voigtlander VM/E Close Focus Adaptor, raises a question:  could I make a 5 x4 version using a telephoto lens?

I am asking this because over the Xmas break I have been looking at some of  the seaweed photos made by Peter Dombrovskis, which are in the  Dombrovskis: Journeys into the Wild, exhibition at  the National Library of Australia (NLA). The kelp photos are stunning. Likewise the granite  the  sandstone and the quartz studies. These are wide angle views,  close ups and low-contrast light.  This collection is  wilderness imagery with a sense of sublime terror with its roots in  the nineteenth century. This body of work is definitely not nostalgic kitsch, an idealising  falsehood, or an eco-porn generating desire for touristic or vicarious consumption.   Nor is it premised on an equivalency between visible and unseen worlds.

macro revisited

In the light of the considerations in  this  previous post   about the limitations of the Sony a7 R111 and the point and shoot Olympus XZ-1  I went ahead and ordered the  Voigtlander VM/E Close Focus Adapter. As mentioned in the earlier post, this adaptor enables me  to use  my Leica M lenses on the  old Sony NEX 7, thereby giving me with the capability to do macro photography  whilst I am on  the  poodlewalks.  

 I  used a Summicron 35m f.2 lens that was on my old Leica M4, and so I was able to put together a macro camera without outlaying too much money.   I had purchased the M4 in Melbourne in  the 1970s, but it  is badly damaged and not functional.