Petrel Cove: am

This seascape is Petrel Cove in the early morning. It is part of the Fleurieuscapes  project that I have been working on  since we shifted to living at Victor Harbor. 

The picture  was made when I  had returned to  the car after a  poodle walk  along Deps Beach with Ari and Kayla. I was taken by the softness and the quality of the light. 

The sea is a big part of the southern Fleurieu Peninsula ---playing on the beach, fishing, surfing etc-- and I struggle to find  a way to photograph  it. How do you do it? It's a slow working it out and hoping that an opening will eventuate. The opening would be  a photograph that's a doorway that is photographically interesting.

The classic seaside/beach photography project is  Joel Meyerowitz's  1979 book Cape Light: a book of  colour photographs of the seaside resort of Provincetown, Cape Cod and its soft natural light  made in the summer of 1976 with an 8x10. It is  considered a classic work of colour photography and the  8 x 10  camera meant  that his  stance  towards  summer cottages and ice cream shops  was both one of patience and meditative.  The images are  in and around his house in Cape Cod and  the mood is one of languid, forever-long summer days. These are not really colorised or pumped up. 

a bamboo shoot

On my last visit to Adelaide after the Ballarat trip I decided  to walked to my opticians appointment in the CBD  from Atkins Photo Lab in Kent Town. I had lost my glasses on that trip, and as I had  an hour or so to fill in  before the appointment, I wandered through  the Botanic Gardens. 

I was hoping to start by viewing a SALA exhibition of Kangaroo Island artists  at the Wine Centre but it had finished. So I meandered through the Australian native plants  section of the  Botanic Gardens.

I ended up among the strands of bamboo along a bit of a waterway near North Terrace.   I had briefly photographed these for an Atkins Film Challenge a year or so earlier. I was intrigued by them but felt that I didn't do them justice then. So I decided to take another look.  

in Ballarat

I was in Ballarat for a few days to see the Ballarat International Foto  Biennale 2015. I had some photos in the Time exhibition  by the Atkins  Photo Artists,  which was  in the basement of the Lost Ones Gallery. The exhibition was part of BIFB15's  Fringe Festival.    

Whilst I was  in Ballarat I took the opportunity to  wander the streets taking  some photos of the architecture 

These snaps were mostly made whilst I was walking around the town looking  at the various exhibitions in the core and fringe programmes.  It was continuing on with what I  had done a couple of years ago when I was there for BIFN 13. 

Silos in a landscape

This is the kind of  picture of silos in a landscape  that I plan to do with respect to that section of the silo project  which is based around the Mallee Highway.  I also referred to the project here. 

This plan is to make the pictures  in black and white  primarily using a Cambo 8x10 monorail. A few will made in colour using the Cambo 5x7 monorail.   The use of colour will be the focus of picturing the silos in the Wimmera. 

at the Cotter River, Canberra

On a recent trip to Canberra  to visit my family,  I briefly explored the Cotter River with Judith Crispin. She knew the area well from exploring it photographically whilst working at Manning Clark House, and she kindly  showed me some of her favourite places along the river valley. 

It was an all too  brief visit,  but I  find  the location and the region----- the Namadgi National Park ----very interesting,  and I will certainly revisit it the next time I am in Canberra. The next trip will be primarily a photo trip. 

Fleurieu Four Seasons Prize

I've started  scoping for work for the  Fleurieu Four Seasons Prize for landscape photography. It's a competition and I don't  have much success in them. 

The Prize  is for a suite of four photos that are taken in the western part of the Fleurieu Peninsula over the four seasons.  I don't know this area very well  photographically so I've started exploring it on my away to and from Victor Harbour.  

On the way down this trip I  was looking for a late afternoon coastal location that would be suitable  for  5x4 film work, and which  had fairly easy access. This location looked a possibility. The picture was made at midday and so the light is terrible.  I will scope  it out in the late  afternoon  on my way back to Adelaide to see what  the light looks like then. 

reconnecting

I've started back working on my sea abstracts and pink gum and Xanthorrhoea  projects  which  have been constructed in terms of DIY books in progress.  It has been several months since I worked on them. I've  been waiting  for Posthaven to get their publishing platform up and running after migrating the work from Posterous.  

I've  also been scoping for subjects for an 8x10 colour shoot. The  new Toyo double  sided film holders are loaded with film--Kodak Ecktar 100ASA.  I've returned to a number of locations that I had in mind, but winter has changed things dramatically.  The winter grasses have returned and its a green world now as opposed to the dry landscape of a few months ago. 

 It's been frustrating as possible location after location has been rejected. I'm going to have to start with a couple of abstracts of the redgum trunks in the reserve across the road from the studio.  

trunk abstract

The digital suite  of Encounter Studio is now up and running and I'm starting to pick up the photography from where I left off before spending the  week at American River in Kangaroo Island.

Although I had this area in mind I've started simple:--abstracts of the river gums in the reserve cross from the studio. We have an 8 week old  silver standard poodle pup that requires constant attention when he is not asleep.

 

Kangaroo Island: salt lake

I've upgraded the operating system of the 27" iMac to Mountain Lion, now that it has a new hard disc courtesy of Apple. I can now connect with my computer in Adelaide.  I've also upgraded  some of the photographic software--Lightroom and Silver Efex Pro--that I regularly use in my digital darkroom.   

This picture  of, what I take to be  a salt lake,  was snapped near D' Estrees Bay on Kangaroo Island. It was next door to   the Cape Gantheaume Conservation Park.  I  had been looking for some salt lakes  with easy acces without much success.  We just stumbled upon this one  on our way back to American River.  

It was the last  afternoon of our holidays on the island. We left for Adelaide the next day.