In a recent post on his art blog the art historian Sasha Grishin makes a useful distinction between a landscape artist and an environmental artist. Grishin is writing about an exhibition featuring the landscape work of John Wolseley, Mulkuṉ Wirrpanda and Mary Tonkin.
He says that:
"The basic distinction between a landscape artist, in the old-fashioned understanding, and an environmental artist, is that a landscape artist stands in front of something to capture, convey or depict it, while an environmental artist is part of the landscape or environment and seeks to convey it, its rhythms and patterns, from the inside."
A 2017 collaboration between Wolseley and Mulkan Wirpanda is here.
I slow walk in nature and I make photos of minutae:
The question is: how can photography explore how we dwell and move within landscape or country? How can photography relate the minutiae of the natural world -ie., shell, feather, seaweed - to the abstract dimensions of the earth's dynamic systems?
What puzzles me as I slow walk in the littoral zone on the poodlewalks and often photograph the minutiae in this coastal world is how do I relate this minutiae to the earth's dynamic systems in a photographic way?
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