Adobe's Lightroom: changes

Adobe's recent upgrade to its Lightroom photo processing software has seen the emergence of two Lightrooms--Classic (an updated version of the desktop Lightroom that we know)  and Lightroom CC (an entirely redesigned app designed to work alongside Adobe’s equally new cloud-based storage system). 

The future of Adobe products looks to be cloud based--their cloud storage. The current subscription model  for Lightroom means that  we rent Adobe’s apps rather than buying a licence--permanently renting the tools we  use to create. With the more mobile orientated Lightroom CC  we are also being asked to rent storage space when we are used to buying desktop storage outright.

digital b+w photography

It is rare for me to convert my digital photos into black and white. I nearly always use medium format film  for my black and white  photography of the details along both the coast and the landscape of the southern Fleurieu Peninsula in South Australia. I avoid the grandiose or the panorama.

However, as  I have no b+w film  at the moment,  and the spare film back for the Rolleiflex SL66 that I used  to use for  my b+w  broke when I was in Queenstown earlier this year and cannot be repaired, I  have done  a quick conversion of  a  digital colour image  into black and white using  Adobe's Lightroom.

I dislike the way that Lightroom converts colour digital files into black and white files.  The  tonal richness disappears and the image becomes rather drab and flat. There is no punch to them.  

So, like many others, I've been  using the Nik Silver Efex Pro 2 plugin software to process my digital black and white images in Lightroom.  I was happy with what I was using,  and I didn't bother  looking for alternative software  because I rarely  converted my digital photos into black and white. Digital black and white photography  didn't really appeal. 

This is  just a small step into the world of digital black and white photography. Though  I  will eventually buy more black and white film  to  use with the  Linhof Technika 70,   the new iMac (currently running the  High Sierra O/S)  is forcing me  to  think in terms of upgrading my  Sony NEX-7 digital camera to a full frame mirrorless one,  and updating my Adobe post processing software.  

a quiet moment

This picture was made as Kayla, Maleko and myself  were returning  from a long  poodlewalk along the coastal rocks to the car parked at Kings Beach Rd in Waitpinga. 

It was a quiet,  peaceful moment: no wind, soft light, gentle seas after the sun had gone behind the hills. 

on location

The times that I have photographed along the coast with my  film cameras have been few and far between.  It's been nearly all digital photography this winter and spring--building up an archive of images  for The Littoral Zone propject. 

This was one  of the few occasions with a medium format camera:

I am running my stock of film stock down before I order any more film from New York.  All my 5x4 colour film has been used. 

Quartz, Newland Heads

From a  return visit to an old favourite coastal location to check it out--a rocky outcrop at the base of the Newland Head cliffs in Waitpinga. 

I remembered the strangeness of the site and I wanted to check it for The Littoral Zone project. Mind you that was in the winter the last time I was there.  What of the early spring? Would the strangeness still be there? 

The soft light after the sun has gone behind the cliffs is the best time. The colours in the detail are what caught my eye this time. 

an open air studio

Whilst on  my poodlewalks I sometimes  set up an open air studio amongst the coastal granite,  and I then play around with bits of seaweed and flotsam  to construct a simple still life. 

This is a recent  example of such  staging:

On this occasion I was attracted by the colours and the texture of the seaweed. The image  worked better with the seaweed wet rather than dry.    

If  the image works then I reshoot with my film cameras. This rarely happens. One occasion when it did.